Ramsbottom Festival 2015 Preview

Summer's well and truly over, and we know this because it has stopped raining. We also know this because Ramsbottom Festival is happening this weekend 18-20 September (and wonder of wonders, the forecast is for partly sunny weather Saturday and Sunday! Friday looks, well... considerably less dry.) As usual, you can expect arty sideshows, family events and way too much good beer. You can peruse the full musical lineup here but here's the headlines: Friday headliner: The Wonder Stuff. Saturday Headliner: Idlewild. Sunday headliner: The Proclaimers. But who else can you see? These guys, for starters...

Jesca Hoop


The Magic Numbers



Black Rivers


Slow Readers Club



The Go! Team


Blue Rose Code


Walk



Adult Day tickets from £24, for booking and full information visit the Ramsbottom Festival website.

Send in the clowns: Carnivals, funfairs and Coney Island

The Lost Carnival rolled into town amid much fanfare, teasing us with tales of golden feathers and phoenixes and mythical circuses cursed to roam the earth – but we could save them! As you’d expect from Wild Rumpus, which runs the excellent Just So Festival every summer, it was a fantastic event perfectly pitched at its target audience of adventurous families and wide-eyed primary age kids. Mine were terrified by the stage shows but transfixed by the dancers and strolling clowns, while enough installations that might be described as “weird arty shit” (a tree full of writhing nymphs, etc) were scattered about to keep them interested. And they spent so long in the mermaids’ hut playing with sand and listening to sea stories that they practically grew fins. Good and reasonably-priced food and drink meant the adults didn’t mind so much about spending hours in a damp field in Bury. We hear it might be back next year. We'll be there.

Every funfair has its dark side, the shadow that throws all that bright levity into sharper relief. Just think about clowns: all jokey one minute, creepy as shit the next.  And that dark side was thoroughly explored in The Funfair, HOME’s much anticipated first production in its new… oh, don’t mind if I do!… home. I’m no sucker for happy endings and escapism, but this was so unremittingly black that it could be used as a medical-grade depressant. It was like being coshed.

The plot lost its way before the end of the first act, and then chaos reigned. True, it was cleverly staged, but no matter how cool the thing looks or what a twisted Brecht-meets-Hairspray vibe it evokes, you don’t want to spend time in the company of this company if the story isn't good. This was, I think, a failure of writing. Who knows what they were trying to do? Scriptwriter Simon Stephens (adapting an obscure German expressionist play from 1932) assembled a gang of clichéd character tropes – gold-digging glamour girl, unprincipled lowborn high roller, cruel aristocrat, ne’er do well crook. But then he never got around to subverting them. The only two characters with a bit of dimension to them - Cash and Esther - had a moving scene at the end, but what small bit of redemption that provided felt like it came at too dear a cost.

If you need cheering up, Coney Island is a good place to go. Set partly there, Lonesome is a fascinating piece of cinema history. Made in 1928 at precisely the moment when silent films were poised to give way to talkies, it’s mainly silent with a few sections of speech. I hadn’t been expecting these, at a special screening of the film at HOME, and they came as an unwelcome shock, so immersed do you get in the language of music, overemphasised facial expressions and a few elliptical stitches of text. The film is a sweetly naïve New York love story, very of its time. The specially commissioned live score, by Robin Richards of Dutch Uncles, was beautifully performed live by the composer and a small company of RNCM students who were also involved in composition. A rarely-seen classic film combined with a new artistic commission, made right here in Manchester; it's exactly what we’d hoped to find at our new multi-form arts venue, and an undertaking beyond the scope of our dearly departed Cornerhouse.

I do miss it, though. Okay, I said it. So sue me.

Photo credit Brett Harkness

Ramsbottom Festival 2013 preview

And just like that, the summer's over. The tan is fading and the weather has turned cold and clammy. Which means only one thing: wrapping up warm for a few days of cracking music, great beer and all-around funtimes at Ramsbottom Cricket Club for Ramsbottom Festival. With The Bridgewater Hall joining Bury Met as a partner this year, the lineup looks stronger than ever, and they've expanded the range of family performances and activities too. Here's a little taster of what we can expect musically:

Friday is raging rock and roll night for all the young folk who still have the joints and livers for it.  Rage, rage against the dying of the light... and pray for good weather.

The Futureheads:  Catchy jingly-jangly guitar indie that makes you jump around. I have much love for their famous cover of Kate Bush's Hounds of Love.

 

Public Service Broadcasting: Interesting band with a penchant for building songs around sound archive samples. Elegaic, epically British stuff.

Twisted Wheel: Manc indie outfit widely hailed as the natural heirs of Oasis (god help 'em)





Saturday is a mixed bag: acts spanning folk rock, pop, indie, world and probably quite a lot of time in the Silent Disco tent, wearing a hole in the grass. It can get pretty crowded in there when it rains though. Pray for good weather.

Richard Hawley: The Sheffield blues troubadour plays the kind of music that makes you think he hops freight trains and smokes 40 Marlboro Reds a day. I have no idea if he actually does, but it works for me.

 

The Beat: The legendary 1980s Two Tone ska band. When I first encountered them we called them The English Beat and yes, I owned this on vinyl. Sigh.

 

Junip: Dreamy, understated pop folk from the Jose Gonzalez-fronted Swedish trio




Sunday things chill down for a grand folkfest. Which is fortunate, as by now many of us are a little shaky and liable to start at sudden loud noises. But seriously, if you're into folk, Ramsbottom is the place to be on Sunday. It's fantastic to see such a strong (and female-dominated) lineup this year. Pray for good weather, though.

Sinead O' Connor: People tut at the supposedly scandalous things she says and does, but when you get down to it Sinead is just a great musician with a voice that will freeze the balls off you at forty paces. And that's honestly all I care about. She does make me laugh though.

Eliza Carthy, Bella Hardy and Kate Young : You want trad folk? You can't go wrong with this festival-circuit special trio.


The Unthanks: Dark, uncanny folk with Northeast roots from the critically-acclaimed Unthank sisters, who are pretty much single-handedly reviving interest in this kind of music.

Chasing Owls: An Edinburgh-based band who make music of the amiable indie-folk persuasion. (Violin solos and handclaps) Quite sweet.

Got your tickets? Adult weekend tickets from £65 and day tickets from £23 available at the Ramsbottom Festival website along with full info on everything else. See you there.

Sinead and Richard Hawley headline Ramsbottom Festival

I expected good things from Ramsbottom Festival this year, but Richard Hawley (aka the bard of Sheffield) and Sinead O'Connor as headliners is beyond exciting. And errrmmm I'm looking forward to seeing Futureheads too, even if I can't think of any of their songs besides that Hounds of Love cover just at this minute (hear that? That's the sound of whatever small amount of indie cred I still possessed vanishing in a puff of smoke)

But further down the lineup announced a few minutes ago there are gems aplenty: The Unthanks, the ace Junip, who my brother recently turned me on to, the really rather cool Public Service Broadcasting, and The (English) Beat. Full lineup and details here at the festival website. I'll be publishing a full preview closer to September, but in the meantime: YAY.

Manchester International Festival 2013 launches

You can't beat the Manchester International Festival launch for pure spectacle. Every two years it's like Christmas morning for Mancunian culturehounds as we all eagerly pull open the ribbons to see what's inside. The full  programme revealed today for this summer's festival is a more serious and arguably more highbrow affair than what we saw during its previous three incarnations (Shostakovich and  Stravinsky? Whoa nelly.) But there's plenty of fun and games to balance out the heavyweight stuff, and on the whole, I think it's pretty darn exciting. A few themes emerged:

Art in a dark time: The ever-awesome Maxine Peake explores protest and Manchester's radical history with a performance of Shelley's poem, The Masque of Anarchy, about the Peterloo Massacre, which was banned for 30 years after publication. Massive Attack collaborate with filmmaker Adam Curtis (of MIF 2009's It Felt Like a Kiss) to create a musical experience that explores "the power of the illusion and the illusion of power". Evan Davis hosts a debate about whether we're too apathetic or complicit to make protest meaningful today. Several references throughout the presentation to the difficult times we're living through, and moving closing remarks from director Alex Poots thanking Manchester City Council for standing up for (and footing the bill for) the arts. This will be the festival in which the art world formally responds to the financial crisis/austerity regime/corporate takeover of society/erosion of civil liberties... and about bloody time, too.

'Found' spaces: The jaded Mancunian culturegoing public love nothing better than to feel like they're getting let in on a secret these days. Hidden, unusual or unexpected spaces are all the rage, and MIF have cleverly managed to find some pretty special city centre venues hidden in plain sight. This year's performances will be staged in Mayfield Depot, the Albert Hall, an as yet unnamed deconsecrated church in the city centre for Kenneth Branagh's take on The Scottish Play and a 60-capacity venue they're keeping schtum about for the xx (can there be any underground tunnels, shelters or bunkers we haven't yet raved in?) Google Maps will be getting a workout.

User-generated/participatory art: In several parts of the programme the line between artist and audience blurs in a way that feels just right for 2013. There's the opportunity for local cutting-edge comedians and musicians to get exposure via Jamal Edwards' YouTube sensation SB.TV live. And MAG's rework of seminal art instruction manual do it  at MAG promises to make going to an exhibition a participatory experience to remember.

Street food: Yes, MIF are once again perfectly on-trend with the choice of street food carts to provide food for the launch, a taster of what will be on offer at the festival pavillion (and we can report that the hot dogs will be pretty damn good.) With Grillstock coming in June this is shaping up to be a very tasty summer in Albert Square. Let's hope they get those Guerrilla Eats collective folks involved for some properly homegrown street food. And speaking of homegrown, MIF is now probably the first art festival in the world to be growing vegetables courtesy of the fantastic Biospheric project. Tasty.

Tickets on sale from 10am tomorrow, kids. Keyboards at the ready? (*flexes fingers*) See you there.

Ramsbottom Festival 2012 preview

I am making many sacrifices to the rain gods in hope that the sun will shine down upon our soggy Pennine Valley over the weekend of September 14-16, when the Ramsbottom Festival comes to town. Last year's festival was many things, but dry was not one of them. It was, however, all of these things: fun, well-run, immensely entertaining, child-friendly, adult-friendly and (in a humble, Rammy-appropriate way) totally rocking. You can read my review here.

Can we expect the same degree of awesomeness this year? I had a nice chat with Victoria Robinson from The Met the other day and she filled me in. For starters, ticket prices have gone down (when does that ever happen?) with day tickets £18 on Friday and £20 Saturday and Sunday,  weekend tickets £50 and Saturday/Sunday tickets £37.50. Kids under 6 are free, kids 6-16 pay £5 day and £10 weekend, and there are family tickets available too. (You can buy tickets here )

You can't really do anything about the weather, but there is much more preparation happening at the Ramsbottom Cricket Club site to prevent mud and/or flooding in the event of serious rain. They've done more to make the festival truly family friendly: There's going to be a ladybird tent with children's entertainments, and the funfair rides will be free. The festival ale will be brewed within shouting distance at Rammy's own Irwell Works Brewery, whose wares I was able to sample the other day and I'm not at all worried about the quality of the beer. Camping has moved to St. Andrews Primary School, a short walk away.   (Updated: I heard residents' complaints have put the kibosh on this campsite, but sure the festival folks have cooked something else up for campers.) And I understand they're laying on coaches to transport folks to and from Chorlton and the city centre each day of the festival. Not as atmospheric as arriving by steam train on the East Lancs Railway, perhaps, but surely very handy for some.

Here are some of the acts I'm most excited about:

Sometime in early 2004 I went to my very first Manchester gig knowing literally nothing about the band, the venue, or the city. I just thought the band's name sounded interesting. It turned out to be I am Kloot at The Night and Day. (Yes, I accidentally went to the most Manchesterest gig ever.) They put on a great show and I instantly became a fan of this fine band, fronted by the raspy-voiced songwriter Johnny Bramwell, joining an army of other Mancunians who make up their loyal following. Why they haven't gotten really big like their contemporaries Elbow and Doves is a complete mystery to me.



I like folksinger Thea Gilmore a lot, something about her lyrics remind me a bit of Suzanne Vega. Her ballads are beautiful, spare things. Recently she became a little bit famous when the BBC used her song 'London' in an Olympics montage. Her latest album sets to music a notebook of Sandy Denny's lyrics found after the folksinger's untimely death. Here's an older song:



The Leisure Society are an artful indie band whose arrangments and musicianship put most of their contemporaries to shame. I saw them play a great show at Ruby Lounge a couple of years ago so I'm expecting a good set from them. Their biggest hit is probably this beautiful song:

Scottish musician Roddy Frame is a wonderful songwriter, and I'm looking forward to hearing his new solo stuff. But most people will surely know him best as the lead singer of Aztec Camera, the ace indie band from the 80s whose hits included Somewhere in my heart and my favourite, this one:



Seth Lakeman is a traditional fiddler and singer-songwriter who was nominated for the Mercury Prize a while back. This song is about a servant girl who killed herself on Dartmoor and is said to haunt the place. Intense.

 

Liz Green has become a firm favourite in the Manchester area and is developing a growing audience around the country. A bluesy folksinger whose voice sounds a lot like Billie Holliday to me, doing her own thing musically and sounding great at it.
 


There are plenty of other acts on. Some performers my friends are excited about include: Roddy Woomble (of Idlewild fame), The Inspiral Carpets (sorry, I kind of missed that whole Madchester thing) Air Cav and Admiral Fallow. And there's plenty more fun to be had in the silent disco, which proved the sleeper hit of last year.

But as entertaining as the silent disco was, it couldn't compare to the sheer joy of watching this guy dance. Like a Lancashire Bacchus, Stripeyman embodied the true spirit of the festival. I'll be looking out for him.

Stripeyman photo by Brian Connor.

Ramsbottom Festival 2011: The Recap

So I've just about recovered from the inaugural Ramsbottom Festival. Here's a little summary:

Rain factor: You have an outdoor music festival in Ramsbottom. In September. Of course it's going to rain. The question is, how much and when. This rain wasn't too bad - it came and went, it was a bit of a drag, but you could mostly ignore it. There was always a place to get out of it if you wanted to.There was no wading through mud. We even had a few hours of sun on Sunday.

Best in show: The Waterboys. It was the very last band of the festival, it was dark, cold and wet, but they still made it very possibly the rockingest Sunday night Ramsbottom has ever seen. Those guys are professionals. The encore of Fisherman's Blues had the crowd twirling like idiots and sent us all home smiling (and shivering):


Runners up: Cherry Ghost, The Travelling Band and Young Knives all turned in solid performances on Saturday, Capercaillie rocked on Sunday. Can a traditional Celtic band rock? The answer is yes.

Miss (Non)Congeniality award: Badly Drawn Boy. I've always been kindly disposed to the beardy one's music, but after seeing this performance I'm less kindly disposed. He started things off by having a hissy fit about the sound and finished up by grousing that he should have been the headliner. In between: a whole bunch of meh. Stay in Chorlton next year and knit yourself some new hats, dude.

Personal disappointment: Missing Steve Cropper Friday evening. It was very wet, but still.

Taste sensation: Salted Caramel and Peanut Butter ice cream on a toasted brioche from the wonder that is Ginger's Comfort Emporium (long may they reign.) Really freaking good.

Best non-live-music-related activity: Silent Disco. Lots of fun.

Unexpected impressive thing: Whalley Range All Stars "PIG" performed inside a specially-built pig. The play was ten minutes long and only ten people could watch it at once. The audience had to don curly tails and stick their heads right into ten holes along the pig's belly, so they looked like a line of piglets.

Best thing for kids: The bouncy pirate ship, apparently. I spent about two hours standing next to this handing a very polite teenage girl money while my daughter bounced. And bounced. And bounced. Lots of kids about on Sunday, not so many on rainy Saturday. And don't ferris wheels look cool at night?

Comfort Factor: Weather aside, the festival was a pretty comfortable place to hang out. The drinks were excellent and keenly priced - Outstanding Beers' very pleasant festival real ale at £2.50 for a reasonably sized pint, fancy shmancy cider for £3.50. I think they had some weird mixed-drink-in-a-bottle stuff going on too, but I didn't get involved in that. In short, a far sight better than the shockingly bad beer selection (Bud and Coors?? In plastic bottles? Really?) at the Manchester International Festival pavillion this summer. You got served quickly at the bar. The food vendors were good and again, nobody was ripping you off (£5 for a massive plate of tasty Tibetan Kitchen.) There were enough toilets, so you didn't spend hours in the loo queue, and they stayed reasonably clean. Thumbs up.

Best flavor of Rekorderlig Cider: Strawberry Lime. I know, me either.

Unexpected funny thing: The VIP area resembled a cattle market - a roped off, exposed-to-the elements plot with bare benches, about as far from the stage as it could be. I think I saw two people in there all weekend. That kind of sums up the festival's ethos nicely.

Hero of the day: Stripeyman. The tirelessly boogieing, permanently ecstatic painted fellow below will dance on in the memories of festivalgoers for many years to come. I'll have what he's having.

In summary: a very good time. Of course, I walked down the road to get there, was sensibly attired and got in for free, so admittedly it would have to be awful for me not to have enjoyed it. But it surpassed my expectations in pretty much every way (apart from the weather, sadly.) Hey, I'm looking forward to next year already.

All images Brian Connor (via Flickr.)

Ramsbottom Festival Sept 16-18 2011

I don't want to be a smug, horrible person, but I've got to say it: Ramsbottom is pretty wonderful. I really do love living here. It's hard to keep this in mind at certain times (like when I ocasionally miss the last tram to Bury.) It's bloody miles away from the nearest (non-steam) train station. There's no decent bakery, no bookstore, and the town shuts down on Wednesday afternoons which is both quaint and annoying. And old-fashioned mill towns in the Pennines can be bleak places in the winter. But it's a beautiful place with an old-school community feeling, and I mostly love it.

So I realise I'm becoming almost insufferably happy to be living here now that the Ramsbottom Festival is about to kick off. It's a proper music festival, with camping and nice food and beer and DJing and kids' activities and multiple stages. And crucially, good music. I'd be excited about a festival like this starting anywere around Manchester. But to have it delivered virtually on my doorstep, a few days after my birthday, is like God's way of saying "sorry about that whole hurricane-and-vomit vacation, I've still got your back."

The festival takes place at the lovely Ramsbottom Cricket Club on 16-18 September. Bury Met, a real gem of a performing arts venue that we are extremely lucky to have right down the road, have programmed a weekend full of music with something for everyone. As with much of their programming the overall focus is on relaxed, sunshiney acoustic pop, folk, celtic and roots, with a welcome jolt of high-test indie and blues. The last supplied by Steve Cropper, Stax guitar legend. You know, Booker T and the MGs? Green Onions?

Indie fiends will be happy with The Young Knives, Cherry Ghost and Guillemots. Yup, it's pretty cool that a band as big as Guillemots is going to be playing at Ramsbottom Cricket Club.



Folkier folks should come on Sunday, when The Waterboys headline and the lineup includes Celtic band Capercaille, led by glorious singer Karen Matheson


...and ahab, amusingly identified as a "German funeral doom trio" in their Spotify bio:


There's a fair number of performers from Manchester, but thankfully there's an emphasis on quality local talent. And world class talent that just happens to live here, like Chorlton's own Badly Drawn Boy. The beardy one always puts on a good show, and he doesn't have far to come for this one. I'm hoping he'll play his near-as-dammit Smiths cover "I saw you walk away." Which I would find totally objectionable if it wasn't so good.



Other Mancunian standouts include raspy-voiced Kirsty Almeida and her charmingly ramshackle band...




...and 6music frequent fliers The Travelling Band:



It's also good that they're serious about making this a family event, with reduced prices for kids, a creche, rides and children's activities. If I were coming from Manchester, I'd take the East Lancs Railway from Bury and arrive in style by steam train (the ELR station is just outside the entrance and they're doing cheap tickets for the day with parking at the stations in Bury and Rawtie). Definitely don't drive - parking is a nightmare here at the best of times. A bus and tram daysaver is the way to go from anywhere else in Greater Manchester - you get the tram to Bury and pick up the Rammy circular which runs every 10 minutes. Booking info here. See you there!

#MIF11: Bjork's Biophilia

So this turned out to be one of those general admission, crick in the neck gigs where you really need to get their early. Trouble was, I didn't, and as a result I stood in the back of a crowd of tall men catching glimpses of Bjork between heads. My own fault. It was a proscenium gig in a big old warehouse, so I don't know what I was expecting. Never mind. It is a mark of how good this performance was that I didn't really even care that I couldn't see much of Bjork. This is because the projections were a whole show in themselves, and because there was so much happening with the music that not being able to see was kind of sensory blessing ( a theory I'm looking to test further at Amadou et Mariam next week). I didn't get to see any of those instruments she famously made herself for these gigs. But I did get to see her costume, a ruffley blue number topped by a big red afro wig with what appeared to be a chinstrap. Must have been devilishly hot.

On first listen the new music was wonderful, with a crystalline, fractured beauty to it. I think her new songs were about things like DNA, cosmology, the origin of life, and viruses, but I'm not quite sure; parsing her lyrics live is a challenge. Nobody sounds like Bjork, her voice can transform itself from a small, feline, warm creature to an avenging banshee howl in a few heartbeats.

The Icelandic women's choir, Graduale Nobili, provided an incredible texture to proceedings, like the layers of sound created through overdubbing in production but done live. I've never heard an Icelandic choir before so I don't have much to compare it to, but their sound had a stark, Eastern European dissonance to it. The choreography added a nice element to the show. Sometimes they jammed on their own, swinging loopily in their glittery choir robes, other times they loomed over Bjork like angry maenads. After seeing them perform after the show in Albert Square, I'd definitely be up for seeing the choir on their own (they're playing at St. Phillip's on July 14.)

The performance must have taken a lot out of Bjork. It was clear she threw every ounce of herself into it. And it's an intense experience for the audience too, taking all that in. So it was a great decision to end it with a raved-up version of Declare Independence, in which audience and performers joined in for a joyous jam, a needed release of energy after all that intensity. We all left smiling.

Image from Bjork Spain

Spring literary happenings

Word people: There are so many great events for writers and readers floating around in Manchester at the moment it's really hard to keep up. Here are a few particularly good things on the horizon:

The shiny new International Anthony Burgess Centre has an appealingly eclectic series of events up and running, including Elemental Opera's performance of the complete Mahler Song Cycle over two nights, and poet August Kleinzahler, as well as literary salons, book launches and workshops. Definitely worth keeping an eye on.

Amid all the gloom and doom following the announcement of the Arts Council's Portfolio funding roster (RIP Greenroom, fingers crossed for Castlefield Gallery, Litfest and folly) there was a bright spot for Manchester literary folk: Comma Press, Literature Northwest and Madlab joined forces and won funding to create a new writers' centre at the Edge Street space. Look out for more events like their upcoming short story writing workshop.


Chorlton Arts Festival has a couple of good literary events on tap: Womens' writing website For Books' Sake is coming to town for a one-off event Friday 20th May at Lloyds Hotel. Books & Blues, a free celebration of the famous and forgotten female blues voices throughout the ages, will feature spoken word, storytelling and live music plus a bookswap booth and prize giveaways. On Thurs 26 May, Flash Mob Literary Salon will feature readings from the writer-organisers of the super short writing competition (Sarah-Clare Conlon, Ian Carrington, Tom Mason, David Hartley and Benjamin Judge) as well as the reading of the winning entries, wordgames and silliness and a special guest appearance by Nik Perring, author of micro fiction collection Not So Perfect.

There's a fanzine convention happening at the lovely Victoria Baths on May 14, with stalls featuring self-published books and zines to browse, talks, a film showing and workshops. To have a stall on the day, either as an individual zine or group of friends, costs £10 (email Natalie.Rose.Bradbury AT googlemail.com.)

Station Stories is a site specific live literature promenade event using digital technology and live improvised electronic sound. Six writers (Jenn Ashworth, Tom Fletcher, David Gaffney, Tom Jenks, Nicholas Royle and Peter Wild) will read live their specially commissioned stories inspired by the station and the people who use it and work there. Audiences are linked to the writers' microphones by wireless headsets, so they can hear them while wandering around the station. It's a collaboration between Manchester Literature Festival, Bury Text Festival and the Hamilton Project, and takes place 19-21 May.

May in Manchester

Hello friends. Oh, it's lovely to be back in the cosy confines of blogger. I've been unable to get on here and tell you about cool stuff happening in Manchester because I've been busy with my new job, which is ... telling people about cool stuff happening in Manchester. Now I have even more of you emailing me with cool stuff to tell everybody about, but less time to get that much-sought-after information out of my inbox and on here. So if you've emailed me about something supercool you're doing lately but found me strangely unresponsive, this is probably why. I'm sorry. I'd like to say this situation will improve. But I cannot.

Anyhoo. The ever-so-cuddly Adam Buxton, half of the insane genius comedy duo Adam & Joe, is coming to Manchester May 18 to introduce a screening of the BFI's BUG: The Evolution of Music Video at the Zion Arts Centre in Hulme. If you've never heard Adam & Joe (!!!) stop whatever you're doing and go check out their amazing 6Music show here. This event is part of the Diesel School of Island Life programme, which also includes interesting things like wild food foraging May 14 at Fletcher Moss Park and a talk on sloganeering at Cornerhouse May 30, as well as the more typical major brand promotion fare of DJ nights at the Deaf. To sign up to get tickets, go here.

Last spotted in Victorian London,
The Burlington Fine Arts Club will be resurrected as a members-only, BYOB pop up social space during the Manchester International Festival. It's an effort to give local artists a space to exhibit, network, discuss ideas and a place for everyone to engage with Manchester’s grassroots contemporary art scene. Each section will be curated by a selected artist, DIY collective or independent gallery... and if you're interested in doing one of these residences, today's the last day to apply, so get on it.

FutureEverything is almost upon us. There's always some good stuff on but I'm hearing especially good things about the art and music programmes this year. If wishes were horses, I'd be driving my landau over to see On Ways to Disappear Without Leaving a Trace (pictured above) 65daysofstatic soundtrack Silent Running, Warpaint and Beach House. I have even remembered not to call it Futuresonic approximately 50 percent of the time I've referred to it in conversation - a marked improvement over last year for me. If you're a a blogger covering the festival this year, they're asking for people to send content to their portal here.

Another one for the Manchester-based arts and culture bloggers: Opera North are inviting a few bloggers to attend an upcoming production of Carmen at The Lowry and write it up, following a successful similar event in Leeds. It will be an ‘access some areas’ event with a backstage tour, the chance to have a meet and greet with cast members and pre-show. It happens Friday May 20 at 5:30, and if you're interested email julia.lumley AT operanorth.co.uk

Meanwhile, in Manchester...

Hello. Goodness, there's all sorts of fascinating and fun things going on in our city at the moment. I may have dropped out of society into a strange, semi-darkened world of milk, muslins and back-to-back episodes of House, but the rest of you guys are still out there doing cool stuff and plotting interesting events that I can't go to. Damn you all.

This cultural bounty really comes as no surprise: after all, it's F-bomb time. No, not that kind of F-bomb. October is when the Festival bomb lands on Manchester, dropping the likes of the Literature Festival, Science Festival, Food and Drink Festival and Comedy Festival on us within a few short weeks. Plus this year we get AND too. Usually I pick out a few highlights from each one but as this would only depress me, you're on your own this year (Go See This and Creative Tourist should be able to help with some inspiration.)

And speaking of Creative Tourist, The Manchester Weekender - their bountiful smorgasboard of cultural goodness - takes over the town this weekend. Go sort yourself out here.

I'm also very disappointed to be missing A Haunting of Nightjars, readings organised by author/publisher Nicholas Royle as part of the Didsbury Arts Festival. In keeping with the Nightjar Press flavor, expect dark & disturbing readings from Conrad Williams, Claire Massey, Stephen McGeagh, Tom Fletcher, Graeme Shimmin, Socrates Adams-Florou and Terri Lucas. They've just published two new chapbooks as well, which I look forward to reading. The event takes place this Wednesday evening from 7-9pm at Northern Lawn Tennis Club, Palatine Road, West Didsbury. It's free.

Also, if you love The Wicker Man like I do (and of course you do), you'll want to check out The Lowry's brilliant Sing-a-long-a Wickerman screening Saturday Oct 9.

Finally, I have been observing with great satisfaction the lush growth of charity calendar project Beards of Manchester, after hearing about it at the slightly mad idea stage from the prodigiously bearded Chris of Mancubist a few months back. Go check it out and appreciate some 200 fine examples of the tonsorial achievement that lives among us. The launch party is at Common Oct 21.

To Do: Homelife, food fest and blogger treats

The ever-changing Mancunian musical collective Homelife are launching their new album Exotic Interlude (out Oct 5 on Humble Soul) with a gig at Sacred Trinity on Friday. The band's latest incarnation has shrunk to founders Paddy Steer and Tony Burnside (pictured above). I've listened to the album and am really impressed with the new more mellow and folky sound emerging, but there's plenty there along the lines of their older sound, a ramshackle goody bag of surprising noise, tiki grooves and snatches of melody. This is sure to be a popular show as live Homelife appearances are rare as hen's teeth, so get in there.

Manchester bloggers are invited to join Havana rum for a shindig to launch their Havana Cultura twitter campaign/new mix CD at Cord on October 8th, preceding a Havana club night at Odder, which they will take you along to. And yes, they're handing out some booty in the form of CDs, photo books, drink mixers and free rum. Yo ho ho! If you're a blogger who's interested in attending email Krista AT theneonhub dotcom.

Any Manchester bloggers interested in covering the upcoming Conservative Party Conference should speedily contact Craig Elder (craig dot elder AT conservatives dot com) Don't think they'll be doling out free grog there, though. Oh, and in other digital gathering news, Social Media Cafe is back at The Northern, Tib Street on Tuesday October 6. FYI, I'm posting stuff like this here now but will likely move these blogger-relevant announcements over to the MCR Bloggers Facebook group, so sign up if you haven't already.

The Food and Drink Festival is set to yummify Manchester October 1-11. This year brings a brand new independent wine festival, foodie hubs at St. Ann's and Albert Squares, and all manner of special meals, food tours, talks and cocktail hours. They have a shiny new website too. Go forth and nosh.

At Urbis, 'Show & Tell' opens today and runs until Oct 12. It's an exhibition by the Urbis Creatives art collective. The exhibition will give the Urbis team a chance to show their work and tell the visitors about what they do outside of the creative environment of Urbis. It will comprise of many different disciplines from photography to illustration, painting and also projects the members are involved in such as community work and music events. For more information about the collective visit the website at www.urbiscreatives.org.

In other art happenings, the big Angels of Anarchy: Women Artists and Surrealism exhibition has opened at Manchester Art Gallery. And the famously difficult to please Jonathan Jones has called it "magical."Am going to this soon and will report back with a full review.

MLF seeks bloggers and tweeters

Next month's Manchester Literature Festival has plenty of treats in store, and if you're willing to write reviews for their blog or help run their twitter feed you might be able to get to see some events for free.

Last year's MLF blogging project was very popular and I'm happy to be helping organise it again. I'm really glad MLF has gotten behind this - it's great to see a Manchester cultural organisation making a serious effort to involve bloggers in what they do and engage with them in a more organised way instead of just banging out press releases.

So this is the way it works: Bloggers can choose a few festival events they'd like to attend and write a review of for the MLF blog. MLF will then commission some bloggers to review an event or two in exchange for free admission. Bloggers will need to be able to write and send in the review relatively quickly after the event - the next day ideally. All reviews should be around 500 words in length and include relevant links. MLF will publish a link to the author's blog or website at the bottom of each review.

MLF is also looking for an experienced blogger or two to edit these reviews and one or two people to help out with the festival's twitter feed or facebook account- both in exchange for free tickets to some events.

If you're interested in any of these online endeavours you can find out all the details by coming along to a meeting next week. The main MLF Volunteer meeting is scheduled for Wed 16th, September (Yes that's tomorrow) 6 - 7.30pm in Committee Room (2nd Floor) of Manchester Central Library. Digital volunteers should show up at 6:45 as the last part of the meeting will deal with blogging and social media. Please email admin AT manchesterliteraturefestival.co.uk to let them know you're coming and include the url of your blog. If you can't make the meeting but still want to get involved then just email the folks at MLF and let them know.

Abandon Normal Devices launches with a bang

Abandon Normal Devices is a festival of new film and digital culture which is part of WE PLAY, the cultural programme linked to London 2012. It will move between Liverpool and Manchester in alternate years, with organisations in Cumbria, Lancs. and Cheshire contributing to the mix. The inaugural AND takes place in Liverpool 23-27 September. On tap: film screenings, art exhibitions, online projects, public art, debates, workshops and live events.

AND just released its lineup which looks to be a veritable goody bag of tasty stuff. No surprise considering that it's headed up by Manchester's own Kate Taylor, co-creator of the Halloween Film Festival. The festival represents a partnership between FACT, Cornerhouse and folly, and is a welcome example of arts collaboration across what can sometimes feel like a very splintered region. Here's a roundup of what's in store:

• Primitive, the first UK solo exhibition by Apichatpong Weerasethakul, Godfather of independent Thai cinema.
• Keep It Slick - Infiltrating Capitalism with political artists The Yes Men in their first European outing.
• Dark Fibre, a provocative feature film mixing scripted fiction and documentary by Jamie King (Steal This Film) and Peter Mann, set in Bangalore, India's silicone valley.
• Strange Attractors - The Anatomy of Dr Tulp by KMA, a new interactive light installation that will take place in Arthouse Square. Using light projected onto the ground, the project explores how our bodies mediate between the internal and external worlds, at a microscopic and global level.
• War Veteran Vehicle, a new large-scale video projection by Polish artist Krzysztof Wodiczko for public spaces in Liverpool, which explores the situation of soldiers who fought during recent armed conflicts and are returning to civilian life.
• DJ Spooky will create an audiovisual remix of DW Griffith's infamous Birth of a Nation, using the new Liverpool Museum into a gigantic cinema screen.

And there's an interesting chance to get involved: They're after cyclists to make an interactive game using all of Liverpool as the setting. At a workshop on 22 July, artist collective Blast Theory will take participants through the basics, using their acclaimed cycling work Rider Spoke as a working example.

If you want to volunteer at the festival, the closing date for applications is 17 August.

Manchester International Festival: Antony and The Johnsons

Hearing Antony Hegarty sing is like listening to God speaking right in your ear. If I were a religious person, I would appreciate The Almighty even more for putting this voice in the body of a 300-pound transvestite who uses it to sing songs about being beaten up by lovers and falling for dead boys. Who, moreover, chooses for his opening act a painted woman clad only in silver knickers and two strategically positioned strips of duct tape, straight out of an East Village performance art dive, who danced for twenty minutes to avant-garde noise. (The audience, which seemed heavy on nice middle-class couples, was slightly discomfited.)

Anyway, I'm here to tell you that last night's Antony and The Johnsons/Manchester Camerata concert at Manchester Opera House was a real experience.

In his flowing white gown, Antony Hegarty was an angel, big and wise and sad. He has that peculiar quality of otherness that David Bowie has - as if he is visiting us from another planet or another time, watching our downfall with a powerless sorrow.

And at the opera house, with the full powers of the Manchester International Festival at work, you really felt like you were seeing him perform in the best and most fully-realised way. The lights, the set, the whole staging of the performance was incredible.

The set featured a white kite-like structure suspended above him where he stood at the centre of a multilayered set with a series of scrims that went up as the night progressed, only revealing the orchestera near the end. The lighting did something different for every song, weaving facets, veins and bouncing prisms of light. Hegarty explained it as the manifestation of "my dream of what it's like to live at the centre of a mountain." The overall effect was weirdly powerful.

I hadn't heard any of the songs in The Crying Light before, so it's a testament to Hegarty and composer/arranger Nico Mulhy that I found every song completely engaging. And this was a million miles away from the soupy arrangements you often get when pop singers do the orchestra concert thing. The Camerata provided a lot more than a musical backdrop, at times working as a surprisingly complicated foil to Hegarty's melody, at other times creating something very different on its own.

Hegarty strayed from the new material to give us a joyous For Today I Am A Boy and an intense Cripple and The Starfish. And we had the unexpected pleasure of a gleefully deranged cover of Beyonce's Crazy In Love, reimagined as a dirge of doomed obsession.

But, for me, the high point was Another World, when he stood against a dark background studded with red pinpricks and flares of light like a starfield. Against a sustained drone, as if emphasizing the emptiness of space, Hegarty sang words chilling in their simple truth: "I need another world. This one's nearly gone." Listening to him, you feel like he's more than halfway there.

(Photo by Flickr user black_celt)

The Cutting Room Experiment

There's an empty square in Ancoats next to St. Peter's Church called Cutting Room Square. It's a new public square created as part of the regeneration of the area. It's pretty quiet up there these days. But that's all going to change on June 20 when the Cutting Room Experiment takes over.

What's it all about? Well, nobody knows yet. The organisers are soliciting ideas for events across 12 different streams of programming, including literature, architecture/design, art and pop music. The way it works is that people submit their ideas for what they think should happen, and the winners of open online voting decide what actually gets to happen. It's a little similar to the way the Mapping Creativity project worked, but with a different focus and on a different scale.

Current contenders include some unsurprisingly flashmobby suggestions, like the biggest Space Hopper race ever, an enormous silent disco and a mass dance routine to Michael Jackson’s Thriller. The literature stream makes for particularly interesting reading with some strong, writing-led ideas alongside some stranger ones (Jane Austen and zombies???) Votes close on Friday, May 29.

The resulting events will be funded by regeneration bodies, the Northwest Regional Development Agency (NWDA) and New East Manchester.

Got questions? Want to know more? Well, you're in luck. Organiser Jon is inviting curious bloggers down to the Bay Horse on Thursday May 21 at 6:30 for what may be Manchester's first ever "blog launch," constituting a chat about the event and a free pint.

More Manchester Spring Festivals

Okay, so a few alert readers let me know I left some festivals out of my last schpiel. Yes, there are more festivals in Manchester this spring. There are so many, in fact, that I ran out of steam and decided to do the update in two parts. But I didn't tell you that, did I? No, I wanted it to be a surprise. So, holy cats, look over there, there are some extra bonus festivals you didn't even expect queueing up on the calendar. It's like finding a freshly-baked strawberry rhubarb pie on your doorstep.

Futuresonic
13-16 May, venues around the city

Next year it's going to become the scarily-named FutureEverything, but first we have one more year of old school Futuresonic. And the sonic element of this year's fest is especially interesting. I knows some of y'all are going to be thrilled at the chance to see Phillip Glass perform at RNCM, the joint with the best acoustics in town. He's by far the biggest name. The delights of the festival's music programme are definitely esoteric; unless you're a trendhunting digital ambient anorak with £300 headphones you may not have heard of them, but who cares? Pick one that looks interesting (and they pretty much all do) roll up, and more likely than not get your mind blown.

I'm especially excited about Soap&Skin at Cross Street Chapel, and can't decide between the two great-looking opening night gigs. Music aside, there's the usual programme of arty hijinks around town, and the excellent social technologies summit too.

Bury Text Festival
30 April - exhibitions run into June, venues around Bury

The Text Festival is a biennial programme of exhibitions and events that span the overlapping ground between poetry and text-based art, based at the wonderful Bury Art Gallery. Director Tony Trehy's energy and curatorial nous help make this a gallery that punches way above its weight... and I'm not just saying that because I live in Bury.

This year's Textfest features artists including the American visual poet Geof Huth, Poet Ron Silliman (who has been working on a single poem since 1974) and artist Jenny Holzer among many others. The Bury Poems features poets Tony Lopez, Carol Watts and Phil Davenport responding to their stay in Bury with poems.

MAPS Festival
1-4 May, venues around the Northern Quarter
Note: this date has been changed (had the wrong one, thanks Diana.)

Wait a min... what? Last week I told you about Hungry Pigeon, which is meant to be the reinvention of last year's MAPS festival. Well, turns out there's been a mysterious schism between the organisers of that event last year. Some of them splintered off under the flag of the Hungry Pigeon, while others stayed on to organise the second MAPS festival - and both camps are claiming to be the real thing. Hmmm. Curious. Aaanyway, we get two festivals in the N. Quarter this year instead of one. So we're the winners here, no?

And the MAPS festival is looking like a grand old time. Check out that clever map on their website - it's a tree and a map at the same time. Very cool. As Chris has already pointed out, MAPS is strong with local promoters who look set to put on a good show. As for the bands playing at a spate of traditional and not-so venues around the nabe, well, again, I haven't heard of many of them. But I'm sure that's pretty much entirely down to the fact that I don't get out enough anymore. Go, enjoy, and maybe next year we'll get three NQ festivals in May.

Manchester Festivals: Spring 2009

You'd have to be some kind of dreary misanthrope to own up to not liking festivals. Why, the very word conjures a kaleidoscopic vision of dizzily cavorting through the streets while brightly-clad revelers play joyful melodies upon pipes and pan flutes.

No? Well, maybe that's just me.

Manchester's spring festival season is about to get underway, and as a public service I like to put all the relevant info together in one place, because there's a lot of it. Don't say I never did anything for you. And don't forget your pan flute. If you become disoriented, please consult the special pan flute instructions above, (courtesy of Eating Sandwiches.)

Chorlton's Big Green Festival
Sat 4 April, St. Clement's Church

A right-on riot of sustainability and folkin' madness. A surprisingly huge amount of stuff on for one day including film, music, art and dance, bike parades, ceilidhs, organic food, crafts.


Moves Festival
23-28 April, venues around the city

The theme of year's movement on screen festival is narrative. Highlights include a screening of Lotte Reiniger's shadowbox Arabic fairy-tale from 1926, The Adventures of Prince Achmed. Carte Blanche to Comma Press features 12 new films adapted from poems and short stories published independently in the region - based on work by John Cooper Clarke, Hanif Kureishi, Tony Walsh, David Constantine and Brian Patten, among others. And the ever-popular moves lab gets people together to make short films in six days with a screening at the end (they need writers, so get your stories and ideas in.)


Sounds from the Other City.
Bank Holiday Sunday May 3, 3pm-late, venues around Salford.

A chance to while away an afternoon and evening listening to arty bands in various Sallywood boozers, offices and churches in the company of fuzzily inebriated but mainly happy people. The acts are curated by an eclectic bunch of local promoters. Good fun. Tickets on sale now. It usually sells out.


Hungry Pigeon
May 22-25, venues around the Northern Quarter

Last year's MAPS festival has returned with an interesting new name. This year, we're promised a large outdoor stage in a secret location for "up to 5000 people." Who's playing? Mostly a bunch of local bands. Some of them probably have a big following, but I can't get too excited about them (because I don't know who they are. Mostly.)


Eurocultured
May 24-25, New Wakefield Street (that's the one off Oxford Rd right by the train bridge, where Font and The Thirsty Scholar are.)

This festival has been going for quite a while and I always hear good things about it but I never manage to make it down. Maybe I will this year. The splendid Nouvelle Vague are coming, along with a lot of bands/djs from Europe and, um, Manchester. Plus some live art too.


Mad Ferret Festival
June 12-13, Platt Fields Park

Oh dear, looks like someone forgot to renew their domain, so I'll have to direct you to their facebook page. Not much up at the minute, though.

Rainy City Stories

I'm really delighted to announce the launch of a project that Chris (Mancubist) and I have been cooking up on the sly for some time now:

Rainy City Stories is a website that publishes new writing set in Manchester. It uses a Google map of the city to organise stories or poetry linked to particular places. Readers can click on a place marked by the little cloud icon to read a piece of writing associated with that spot.

Who can write for this site? Anybody can. We're open to all submissions of unpublished work. To get things rolling, we've commissioned pieces from four outstanding Mancunian writers: Jackie Kay, Mike Duff, Nicholas Royle and Rajeev Balasubramanyam. They're up now - go take a look.

But now we want YOU to send us your stories, poems or bits of memoir. If we like them, we'll put them on the map.

We've got big plans for the future, too.

We'll be publishing more commissioned writing in 2009, and expanding our site to include photography, graphics, and audio and video readings to accompany the words. A series of related writing workshops and a live literature event featuring some of the Rainy City Stories writers will be part of the 2009 Manchester Literature Festival. And we're investigating a fantastically exciting new possibility that would involve some of the best writing from the website, but we can't say much more about that yet.

Erm, what else should we tell you? The project is part of the Manchester Literature Festival's Freeplay programme, and it's funded by the good people of Arts Council England. Chris designed the site on Wordpress and is in charge of the techy stuff. I'll be doing the editing. No ferrets were harmed in the making of this website.

I'd love to hear what people think about the site so far - if you have some thoughts, leave a comment or email me at themanchizzle AT gmail DOT com.